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Now That’s a Vintage Lens

The first vintage lens I loved was an Angienux 25-200 T3.9 that one of the co-producers on our first feature owned.  We used it to shoot the end credits with a “vintage Italian cinema feel,” (live, quick, super-zooms, lens flair, etc.).  This is actually the same lens that Kubrick used quite a bit on Barry Lyndon. Incidentally, here’s an article from American Cinematographer where John Alcott (
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